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Benyamini, Itzhak. The Filmic and the Jew: A Re-View. The New Jew in Film: Exploring Jewishness and Judaism in

Contemporary Cinema, by Nathan Abrams. 32.2 (Winter/Spring 2013): 115-122.

Bettaglio, Marina. Cine y género en España, ed. Fátima Arranz. 31.3 (Summer 2012): 85-88.

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(Summer 1991): 77-79.

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—. Cinema: The First Hundred Years, by David Shipman. 14.3 (Summer 1995): 78-80.

—. Film: An International History of the Medium, by Robert Sklar. 14.3 (Summer 1995): 78-80.

Charlton, Colin. Toward Cinema and Its Double: Cross-Cultural Mimesis, by Laleen Jayamanne. 22.3 (Summer 2003):

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—. Deleuze, Cinema, and National Identity: Narrative Time in National Contexts, by David Martin-Jones. 28.1

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Charney, Mark. “David Cronenberg” in Inner Views: Filmmakers in Conversation. 15.2 (Winter/Spring 1996): 70-74.

—. Cronenberg on Cronenberg, ed. Chris Rodley. 15.2 (Winter/Spring 1996): 70-74.

Conrad, Mark T. The Films of Woody Allen: Critical Essays, ed. Charles L. P. Silet. 31.2 (Winter/Spring 2012): 118-119.

Cooper, L. Andrew. Hollywood Bloodshed: Violence in 1980s American Cinema, by James Kendrick. 29.1 (Fall 2009): 75-76.

—. Horror Film and Psychoanalysis: Freud’s Worst Nightmare, ed. Steven Jay Schneider. 29.1 (Fall 2009): 76-78.

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Covey, William B. Autopsy: An Element of Realism in Film Noir, by Carl Richardson. 13.2 (Winter/Spring 1994): 51-53.

—. Dames in the Driver’s Seat: Rereading Film Noir, by Jans B Wager. 26.1 (Fall 2006): 62-65.

Cox, Terrance. Mondo Canuck, by Geoff Pevere. 18.2 (Winter/Spring 1998): 87-90.

Craig, J. Robert. Gothic Realities: The Impact of Horror Fiction on Modern Culture, by L. Andrew Cooper. 30.1

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—. Gendering Science Fiction Films: Invaders from the Suburbs, by Susan A. George. 34.1 (Fall 2014): 100-102.

Dabb, JeanAnn. From Moscow to Madrid: Postmodern Cities, European Cinema, by Ewa Mazierska and Laura Rascaroli.

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—. Masters of the American Cinema, by Louis Giannetti. 2.1 (Fall 1982): 66-67.

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DiGeorgio-Lutz, JoAnn. The Holocaust and Historical Methodology, ed. Dan Stone. 32.2 (Winter/Spring 2013): 111-112.

Dixon, Wheeler Winston. The Press: Observed and Projected, eds. Philip French and Deac Rossell. 12.1 (Fall, 1992): 61-63.

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Eberwein, Robert. Ingmar Bergman and the Rituals of Art, by Paisley Livingston. 2.1 (Fall 1982): 62-63.

Ehrlich, Linda C. Moving Pictures, by Anne Hollander. 8.3 (Summer 1989): 70-72.

Foreman, Joel. Ideology and the Image: Social Representation in the Cinema and Other Media, by Bill Nichols. 2.1

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Foster, Gwendolyn. Streetwalking on a Ruined Map: Cultural Theory and the City Films of Elvira Notari, by Giuliana Bruno.

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Fournier, Michael. The Essential Jacques Demy, DVD/Blu-Ray. 35.2 (Winter/Spring 2016): 97-103.

Gelder, Ken. Killing for Culture: An Illustrated History of Death Film from Mondo to Snuff, by David Kerekes and David

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George, Susan. Alien Women: Them Making of Lt. Ellen Ripley, by Ximena C. Gallardo and C. Jason Smith. 23.2

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Glajar, Valentina. Cinema of Flames: Balkan Film, Culture and the Media, by Dina Lordanova. 25.2 (Winter/Spring 2006):

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Grigar, Dene. Allegories of Communication: Intermedial Concerns from Cinema to the Digital, eds. John Fullerton and

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Hawk, Bryon. Shakespearean Films/Shakespearean Directors, by Peter Donaldson. 17.2 (Winter/Spring 1998): 103-106.

Hayes, M. Hunter. Frank: The Voice, by James Kaplan. 30.1 (Fall 2010): 103-104. 

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Higginbotham, Virginia. Convictions and Contradictions of Luis Buñuel: Mon dernier soupir, by Luis Buñuel. 6.2

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Koos, Leonard. Beyond Bollywood: The Cultural Politics of South Asian Diasporic Film, by Jigna Desai. 25.2

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Krier, William. Street Smart: The New York of Lumet, Allen, Scorsese, and Lee, by Richard A. Blake. 31.2

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Lyons, Inmaculada. The Encyclopedia of Contemporary Spanish Film, eds. Salvador Jiménez Murguía and Alex Pinar.

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Maland, Charles. “The Millionaire Tramp.” 3.3 (Spring/Summer 1984): 55-62. [Com­ments on books and essays on

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—. All that Hollywood Allows: Rereading Gender in 1950s Melodrama, by Jackie Byars. 12.1 (Fall 1992): 64-66.

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Polan, Dana. French Cinema: First Wave, 1915-192, by Richard Abel. 4.2 (Winter 1985): 63-65.

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—. Heritage Film Audiences: Period Film Audiences and Contemporary Films in the UK, by Claire Monk. 32.1

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