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Post Script: Essays in Film & the Humanities

Back Issues

Post Script was a peer-reviewed journal formerly published three times a year. The table of contents of past issues are downloadable here as a PDF file and also listed under the Archive tab. 

Annual subscriptions are no longer accepted; however, copies of back issues are available for purchase.

Single issue copies are $15; double and special topic issues range from $15 to $30. All prices are exclusive of shipping. Because of the substantial rise in postal fees, shipping costs are determined by destination. Questions about availability and shipping costs should be directed to:

Vivian Freeman Chaffin

Editorial Assistant, Post Script

Vivian.Freeman@yellowrosetype.com

AND / OR

Gerald Duchnovay

Founding and General Editor, Post Script

postscriptjournal1@gmail.com

Payment Options

*All payments must be in U.S. dollars and drawn on a U.S. bank or international money order. All orders for back issues require pre-payment.

1. Mail check or money order to the address below:

       Post Script, Inc.

       Attn: Gerald Duchovnay, General Editor

       1879 Emerald Bay Drive

       Rockwall, Texas 75087-3284

       U.S.A.

       

Special Topic Back Issues

Vol. 6, No. 1                Philosophy and Film

Vol. 6, No. 2                Film and Autobiography

Vol. 7, No. 1                French Cinema

Vol. 7, No. 2                Film and Philosophy

Vol. 9, Nos. 1&2         Double General Issue

Vol. 10, No. 2              Feminist Film

Vol. 11, No. 1              Japanese Cinema

Vol. 11, No. 2              John Cassavetes

Vol. 12, No. 3              Paul Verhoeven

Vol. 13, No. 3              Contemporary Directions in Film Theory

Vol. 14, Nos. 1&2       Pyschoanalysis and Film

Vol. 15, No. 1              Canadian Cinema

Vol. 15, No. 2              David Cronenberg

Vol. 16, No. 1              Hispanic Film

Vol. 16, No. 2              Literacy and Film

Vol. 17, No. 1              Shakespeare and Film: Adaptations

Vol. 17, No. 2              Shakespeare and Film: Derivatives and Variations
Vol. 18, No. 1              Contemporary Japanese Cinema

Vol. 18, No. 2              Canadian Cinema II
Vol. 19, No. 1              Hong Kong Cinema

Vol. 19, No. 2              Generation X Films
Vol. 20, No. 1              Akira Kurosawa

Vol. 20, Nos. 2&3       Chinese Cinema
Vol. 21, No. 2              Spanish Cinema

Vol. 21, No. 3              Realist Horror Cinema, Part I

Vol. 22, No. 2              Realist Horror Cinema, Part II

Vol. 22, No. 3              Doubles in Movies
Vol. 23, No. 3              Adaptation

Vol. 24, Nos. 2&3       Australian and New Zealand Cinema
Vol. 25, No. 2              Transnational Cinema
Vol. 25, No. 3              Indian Cinema 
Vol. 26, No. 2              Susan Sontag

Vol. 26, No. 3              Documentary Films 

Vol. 27, No. 2              Coen Brothers

Vol. 27, No. 3              Korean Cinema

Vol. 28, No. 2              Japanese Popular Culture

Vol. 28, No. 3              Rockumentaries

Vol. 29, No. 2              Vittorio Storaro

Vol. 29, No. 3              Native American / Indigenous Film

Vol. 30, No. 2              Cinema Distribution

Vol. 30, No. 3              Cinema Exhibition

Vol. 31, No. 2              Woody Allen After 1990

Vol. 31, No. 3              Masculinities in Spanish Film

Vol. 32, No. 2              Holocaust and Film

Vol. 32, No. 3              Irish and Early American Cinema

Vol. 33, No. 2              Native American Cinema, II

Vol. 33, No. 3              Films of Robert Rodriguez

Vol. 35, No. 2              Films of Jacques Demy

Vol. 35, No. 3              Home Video and Media Texts

Vol. 36, Nos. 2&3       Documentary Ethics

Vol. 37, Nos. 2&3       Islands and Film

Vol. 38, No. 1              Images of Zorro

Vol. 38, Nos. 2&3      Jewish Identities in Latin American Cinema

Vol. 39, Nos. 2&3      Interviews from Indiana University Cinema

Vol. 40, Nos. 2&3      Interviews with Latin American Women Filmmakers

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