Post Script: Essays in Film & the Humanities
Back Issues
Post Script was a peer-reviewed journal formerly published three times a year. The table of contents of past issues are downloadable here as a PDF file and also listed under the Archive tab.
Annual subscriptions are no longer accepted; however, copies of back issues are available for purchase.
Single issue copies are $15; double and special topic issues range from $15 to $30. All prices are exclusive of shipping. Because of the substantial rise in postal fees, shipping costs are determined by destination. Questions about availability and shipping costs should be directed to:
Vivian Freeman Chaffin
Editorial Assistant, Post Script
Vivian.Freeman@yellowrosetype.com
AND / OR
Gerald Duchnovay
Founding and General Editor, Post Script
Payment Options
*All payments must be in U.S. dollars and drawn on a U.S. bank or international money order. All orders for back issues require pre-payment.
1. Mail check or money order to the address below:
Post Script, Inc.
Attn: Gerald Duchovnay, General Editor
1879 Emerald Bay Drive
Rockwall, Texas 75087-3284
U.S.A.
Special Topic Back Issues
Vol. 6, No. 1 Philosophy and Film
Vol. 6, No. 2 Film and Autobiography
Vol. 7, No. 1 French Cinema
Vol. 7, No. 2 Film and Philosophy
Vol. 9, Nos. 1&2 Double General Issue
Vol. 10, No. 2 Feminist Film
Vol. 11, No. 1 Japanese Cinema
Vol. 11, No. 2 John Cassavetes
Vol. 12, No. 3 Paul Verhoeven
Vol. 13, No. 3 Contemporary Directions in Film Theory
Vol. 14, Nos. 1&2 Pyschoanalysis and Film
Vol. 15, No. 1 Canadian Cinema
Vol. 15, No. 2 David Cronenberg
Vol. 16, No. 1 Hispanic Film
Vol. 16, No. 2 Literacy and Film
Vol. 17, No. 1 Shakespeare and Film: Adaptations
Vol. 17, No. 2 Shakespeare and Film: Derivatives and Variations
Vol. 18, No. 1 Contemporary Japanese Cinema
Vol. 18, No. 2 Canadian Cinema II
Vol. 19, No. 1 Hong Kong Cinema
Vol. 19, No. 2 Generation X Films
Vol. 20, No. 1 Akira Kurosawa
Vol. 20, Nos. 2&3 Chinese Cinema
Vol. 21, No. 2 Spanish Cinema
Vol. 21, No. 3 Realist Horror Cinema, Part I
Vol. 22, No. 2 Realist Horror Cinema, Part II
Vol. 22, No. 3 Doubles in Movies
Vol. 23, No. 3 Adaptation
Vol. 24, Nos. 2&3 Australian and New Zealand Cinema
Vol. 25, No. 2 Transnational Cinema
Vol. 25, No. 3 Indian Cinema
Vol. 26, No. 2 Susan Sontag
Vol. 26, No. 3 Documentary Films
Vol. 27, No. 2 Coen Brothers
Vol. 27, No. 3 Korean Cinema
Vol. 28, No. 2 Japanese Popular Culture
Vol. 28, No. 3 Rockumentaries
Vol. 29, No. 2 Vittorio Storaro
Vol. 29, No. 3 Native American / Indigenous Film
Vol. 30, No. 2 Cinema Distribution
Vol. 30, No. 3 Cinema Exhibition
Vol. 31, No. 2 Woody Allen After 1990
Vol. 31, No. 3 Masculinities in Spanish Film
Vol. 32, No. 2 Holocaust and Film
Vol. 32, No. 3 Irish and Early American Cinema
Vol. 33, No. 2 Native American Cinema, II
Vol. 33, No. 3 Films of Robert Rodriguez
Vol. 35, No. 2 Films of Jacques Demy
Vol. 35, No. 3 Home Video and Media Texts
Vol. 36, Nos. 2&3 Documentary Ethics
Vol. 37, Nos. 2&3 Islands and Film
Vol. 38, No. 1 Images of Zorro
Vol. 38, Nos. 2&3 Jewish Identities in Latin American Cinema
Vol. 39, Nos. 2&3 Interviews from Indiana University Cinema
Vol. 40, Nos. 2&3 Interviews with Latin American Women Filmmakers