Post Script: Essays in Film & the Humanities

Back Issues

Post Script was a peer-reviewed journal formerly published three times a year. The table of contents of past issues are downloadable here as a PDF file and also listed under the Archive tab.

Annual subscriptions are no longer accepted; however, copies of back issues are available for purchase.

Single issue copies are $15; double and special topic issues range from $15 to $30. All prices are exclusive of shipping. Because of the substantial rise in postal fees, shipping costs are determined by destination. Questions about availability and shipping costs should be directed to:

Vivian Freeman Chaffin

Editorial Assistant, Post Script

Vivian.Freeman@yellowrosetype.com

AND / OR

Gerald Duchnovay

Founding and General Editor, Post Script

postscriptjournal1@gmail.com

Payment Options

*All payments must be in U.S. dollars and drawn on a U.S. bank or international money order. All orders for back issues require pre-payment.

1. Mail check or money order to the address below:

Post Script, Inc.

Attn: Gerald Duchovnay, General Editor

1879 Emerald Bay Drive

Rockwall, Texas 75087-3284

U.S.A.

Special Topic Back Issues

Vol. 6, No. 1 Philosophy and Film

Vol. 6, No. 2 Film and Autobiography

Vol. 7, No. 1 French Cinema

Vol. 7, No. 2 Film and Philosophy

Vol. 9, Nos. 1&2 Double General Issue

Vol. 10, No. 2 Feminist Film

Vol. 11, No. 1 Japanese Cinema

Vol. 11, No. 2 John Cassavetes

Vol. 12, No. 3 Paul Verhoeven

Vol. 13, No. 3 Contemporary Directions in Film Theory

Vol. 14, Nos. 1&2 Pyschoanalysis and Film

Vol. 15, No. 1 Canadian Cinema

Vol. 15, No. 2 David Cronenberg

Vol. 16, No. 1 Hispanic Film

Vol. 16, No. 2 Literacy and Film

Vol. 17, No. 1 Shakespeare and Film: Adaptations

Vol. 17, No. 2 Shakespeare and Film: Derivatives and Variations
Vol. 18, No. 1 Contemporary Japanese Cinema

Vol. 18, No. 2 Canadian Cinema II
Vol. 19, No. 1 Hong Kong Cinema

Vol. 19, No. 2 Generation X Films
Vol. 20, No. 1 Akira Kurosawa

Vol. 20, Nos. 2&3 Chinese Cinema
Vol. 21, No. 2 Spanish Cinema

Vol. 21, No. 3 Realist Horror Cinema, Part I

Vol. 22, No. 2 Realist Horror Cinema, Part II

Vol. 22, No. 3 Doubles in Movies
Vol. 23, No. 3 Adaptation

Vol. 24, Nos. 2&3 Australian and New Zealand Cinema
Vol. 25, No. 2 Transnational Cinema
Vol. 25, No. 3 Indian Cinema
Vol. 26, No. 2 Susan Sontag

Vol. 26, No. 3 Documentary Films

Vol. 27, No. 2 Coen Brothers

Vol. 27, No. 3 Korean Cinema

Vol. 28, No. 2 Japanese Popular Culture

Vol. 28, No. 3 Rockumentaries

Vol. 29, No. 2 Vittorio Storaro

Vol. 29, No. 3 Native American / Indigenous Film

Vol. 30, No. 2 Cinema Distribution

Vol. 30, No. 3 Cinema Exhibition

Vol. 31, No. 2 Woody Allen After 1990

Vol. 31, No. 3 Masculinities in Spanish Film

Vol. 32, No. 2 Holocaust and Film

Vol. 32, No. 3 Irish and Early American Cinema

Vol. 33, No. 2 Native American Cinema, II

Vol. 33, No. 3 Films of Robert Rodriguez

Vol. 35, No. 2 Films of Jacques Demy

Vol. 35, No. 3 Home Video and Media Texts

Vol. 36, Nos. 2&3 Documentary Ethics

Vol. 37, Nos. 2&3 Islands and Film

Vol. 38, No. 1 Images of Zorro

Vol. 38, Nos. 2&3 Jewish Identities in Latin American Cinema

Vol. 39, Nos. 2&3 Interviews from Indiana University Cinema

Vol. 40, Nos. 2&3 Interviews with Latin American Women Filmmakers