Post Script: Essays in Film & the Humanities

Special Topic Volumes

Adaptations 23.3 Summer 2004

Australian and New Zealand Cinema 24.2 & 24.3 Winter/Spring & Summer 2005

Canadian Cinema 15.1 Fall 1995

 

Canadian Cinema, II, 18.2 Winter/Spring 1999

 

Contemporary Chinese Cinema 20.2 & 20.3 Winter/Spring and Summer 2002

 

Contemporary Directions in Film Theory 13.1 Fall 1993

Contemporary Japanese Cinema 18.1 Fall 1998


David Cronenberg 15.2 Winter/Spring 1996

Documentary Ethics 36.2 & 3 Winter/Spring & Summer 2017

​Documentary Films 26.3 Summer 2007

Doubles in Movies 22.3 Summer 2003

Feminist Cinema 10.2 Winter 1991

Film Acting 12.2 Winter 1993

Film and Autobiography 6.2 Winter 1987

Films of Jacques Demy  35.2 Winter/Spring 2016

Films of Kurosawa Akira 20.1 Fall 2000

Film and Philosophy 7.2 Winter 1988

Film and/as Technology 10.1 Fall 1990

French Cinema 7.1 Fall 1987

Gen X Films 19.2 Winter/Spring 2000

Hispanic Film 16.1 Fall 1996


Hong Kong Cinema 19.1 Fall 1999

 

Home Video and Media Texts 35.3 Summer 2016

Images of Zorro 38.1 Fall 2018

Indian Cinema 25.3 Summer 2006

​Islands and Film 37.2 & 3 Winter/Spring & Summer 2018

Japanese Cinema 11.1 Fall 1991

 

Jewish Identities in Latin American Cinema 38.2&3 Winter/Spring & Summer 2019.

John Cassavetes 11.2 Winter 1992

Literacy and Film 16.2 Winter/Spring 1997

Paul Verhoeven 12.3 Summer 1993

Philosophy and Film 6.1 Fall 1986

Psychoanalysis and Film 14.1& 14.2 Fall 1994 and Winter/Spring 1995

Realist Horror Cinema, I, Dimensions of the Real 21.3 Summer 2002

Realist Horror Cinema, II, Serial Killers 22.2 Winter/Spring 2003

Shakespeare and Film: Adaptations 17.1 Fall 1997

Shakespeare and Film: Derivatives and Variations 17.2 Winter/Spring 1998

Spanish Cinema 21.2 Winter/Spring 2002


Susan Sontag 26.2 Winter/Spring 2007

Transnational Cinema 25.2 Winter/Spring 2006


 

  Updated September 2019